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I believe I'll go back home

by The Rhythm Rats

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Download includes three pages of track notes in PDF format.
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  • Full Digital Discography

    Get all 7 Kenny Jackson releases available on Bandcamp and save 15%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Shortest Day, Pine to Pine, Pretty Crowin' Chicken, Over the Mountain, Fever in the South, Too Old to be Controlled, and I believe I'll go back home. , and , .

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  • I Believe I'll Go Back Home (CD)
    Compact Disc (CD) + Digital Album

    The Rhythm Rats' second recording, released in 1997 on Marimac Recordings, Crown Point, Indiana (9069D). Free shipping!

    Includes unlimited streaming of I believe I'll go back home via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
2.
3.
Prodigal Son 04:06
4.
5.
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9.
10.
Jenny Lynn 02:21
11.
12.
13.
14.
Aged Mother 03:18
15.
16.

credits

released June 1, 1997

Kenny Jackson (fiddle, banjo, guitar, vocals)
Paula Bradley (guitar, banjo-uke, vocals)
Whitt Mead (banjo, fiddle)

All music is traditional and in the public domain. Arrangements by The Rhythm Rats
Produced by The Rhythm Rats with insight from Bob Carlin
Recorded at Encore Studios, Dayton, OH
Mixing of tracks 4,5,7,9,10,11,13, and 14 by Grey Larsen, Sleepy Creek Recording, Unionville, IN
Tracks 1,2,3,6,8,12, and 15 mixed by Bob Carlin and Wes Lachot, Overdub Lane, Durham, NC
Mastering by David Glasser and Bob Carlin, Airshow Studio, Springfield, VA
Cover, disk, and inside photos by Bill Dillof.
Graphic design by Chuck Good

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Kenny Jackson Pittsboro, North Carolina

Kenny Jackson is known in the world of American traditional music as a master old-time fiddler, spot-on guitarist, old-time banjo player, and singer. Kenny has been called "one of the finest old-time musicians active today" (Old-Time Herald), and "a fiddler’s fiddler whose playing has depth, nuance, and layers of subtlety along with fire" (Erynn Marshall). ... more

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